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You go into the artist's life after his love affair with Japanese prints: Van Gogh's paranoia about being poisoned, and his suicide. His madness. His images could be bold, tumultuous, even shocking (artistically, compared to the work of other artists at the time), but it was never bloody, violent, macho. I doubt I could describe the sublte point you make in the poem without writing and essay referencing many of his pieces. It's the lurking, twisted side of his insanity that comes through in his later work and gets him in the end.
I thought of Eliot too, because the similarity to the 'not with a bang but a whimper' ending. But I think your poem is also trying to convey the tenuousness of Van Gogh's hold on life in this line, "storms of samsara hanging
by a whisker –" Something very fragile was strong enough to make him pull the trigger, get up and go back to his rooms with a mortal wound.
thank you very much for the insightful comment. I'm very pleased that the poem moved you and that you detected a number of its subtleties, including the Eliot phrase (I'm not sure as to whether I first encountered those repeated lines before or after I wrote this poem, but I do know that they'd really struck me).
And yes, I agree with your interpretation and am (please allow me to emphasize) very grateful to you for the attentive read
I think Eliot was covered in high school for me... but then that was in the 70s.
Here's a feature for you. Glad to see you haven't left.